
Horace B. Carpenter
Dr. Meirschultz
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A former stage impersonator working for an eccentric scientist kills his employer and assumes the dead man's identity. Continuing the experiments only deepens his instability. Patients, relatives and neighbours enter a laboratory where disguise and delusion have erased the boundary between performing a role and believing it.
Dwain Esper and writer Hildagarde Stadie borrow motifs from Edgar Allan Poe, especially The Black Cat, within an exploitation-film framework. The independently circulated production mixes sensational incidents with claims of psychological instruction. It also incorporates imagery from the earlier silent film Häxan.
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Work catalogued as public domain in the United States.
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Availability checked on September 10, 2026.
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